The Thursday night NBC line-up did not disappoint when it returned last week. Whatever was lacking in Community (not much) was made up for by yet another taste of Troy and Abed in the Morning. I think a spin-off is in order. Parks and Recreation premiered with a bang, as well, giving us something to root for (Harvest Festival! Pawnee! Andy!) and solidifying the fact that Rob Lowe is not only physically flawless, but also hilarious. The Office reminded us why we love Michael and Holly (if the E.T. scene had gone on any longer, I think half of America might have died from awkwardness) and why we just love Michael. It also reminded us that if we feel purposeless - and we attended a preppy college or university in the Northeast - there's nothing a little Dave Matthews can't fix.
What I'm most interested in for post-break week two, however, is Perfect Couples, a show set up to fail because of its inevitable comparisons to the rest of the line-up. Luckily for Perfect Couples, though, it's more like Modern Family than Thursday night comedy. While I won't put money on it yet, I will say that the show has potential (although I said the same thing for Running Wilde, and that fell flat). The characters in Perfect Couples are still caricatures of themselves, but once the actors assimilate a bit more into their roles, the show could take off. I'm looking forward to tonight to see how it holds up, but even if it flops, at least it won't be as embarrassing as this. Mamma mia.
Thursday, January 27, 2011
Friday, January 21, 2011
Episode 604
There is currently a poll on People.com asking: Was Steven Tyler too flirtatious with the American Idol contestants?
Currently, 70% of people have responded "No. He's a rocker! What did you expect?" Well, I can answer that. I expected that a 62 year-old-man would not tell a 16-year-old girl that she was showing just the right amount of leg in her outfit. (Even Tom Haverford knows: half your age, plus seven - that's the cutoff).
I wouldn't say I'm offended by this - I'm not here to judge. Well, yes I am. But I'm just saying, it doesn't make for good TV. Awkward (and even offensive) is good when it's Michael Scott forgetting which Asian waitress is his date; not when we have watch a senior citizen gawk over a minor.
Currently, 70% of people have responded "No. He's a rocker! What did you expect?" Well, I can answer that. I expected that a 62 year-old-man would not tell a 16-year-old girl that she was showing just the right amount of leg in her outfit. (Even Tom Haverford knows: half your age, plus seven - that's the cutoff).
I wouldn't say I'm offended by this - I'm not here to judge. Well, yes I am. But I'm just saying, it doesn't make for good TV. Awkward (and even offensive) is good when it's Michael Scott forgetting which Asian waitress is his date; not when we have watch a senior citizen gawk over a minor.
Tuesday, January 18, 2011
Epsiode 603
Chris Harrison has once again had to defend himself against his seemingly expendable role on The Bachelor. As much as I agree that we really don't need him to announce that "Ladies, Brad, this is the final rose tonight" since the editing makes it irritatingly impossible not to already know as much, I think we need to acknowledge that useless doesn't necessarily mean unwanted. Andy Richter, anyone?
One of my favorite dispensable-but-not-unwanted TV "stars" is the cool and collected Deshawne, Patti's driver on Millionaire Matchmaker. He is featured in somewhere between six and twenty seconds of each episode, unenthusiastically fielding Patti's questions as he carts her toward the millionaires. He's not really serving much of a purpose (in regards to the show itself), but no one will deny that he's a breath of fresh air from the featured crazies who are attracted to women because they like them some "muzzarell'."
The list continues with someone like Vanna White, probably the most impractical figure on TV logistically speaking; but because she is such an American icon, we all let it slide.
Then, of course, there are the non-icons: the useless and unwanted. Padma Lakshmi, for example: not quite a star, and definitely not necessary to the Top Chef dynasty: Tom introduces every challenge with her, so we don't need her there, and I'm far from taking her food critiques seriously since "cookbook author" doesn't really translate into food knowledge.
Even worse than Padma is everyone but the "third judge" on talent competition shows. By third judge, I of course mean the Simon Cowell of the group - be it Piers Morgan on America's Got Talent, Nigel Lythgoe on So You Think You Can Dance, Ben Folds on The Sing-Off... and so on. All the other judges are just decoration (tacky decoration, at that) - I'm convinced they are the reason DVR fast-forwarding exists.
The winning show for meaningless participation, however, is Big Brother, where everyone, from house guest to host to live audience member, is completely and utterly worthless. These people make Chris Harrison look like Walter Cronkite.
One of my favorite dispensable-but-not-unwanted TV "stars" is the cool and collected Deshawne, Patti's driver on Millionaire Matchmaker. He is featured in somewhere between six and twenty seconds of each episode, unenthusiastically fielding Patti's questions as he carts her toward the millionaires. He's not really serving much of a purpose (in regards to the show itself), but no one will deny that he's a breath of fresh air from the featured crazies who are attracted to women because they like them some "muzzarell'."
The list continues with someone like Vanna White, probably the most impractical figure on TV logistically speaking; but because she is such an American icon, we all let it slide.
Then, of course, there are the non-icons: the useless and unwanted. Padma Lakshmi, for example: not quite a star, and definitely not necessary to the Top Chef dynasty: Tom introduces every challenge with her, so we don't need her there, and I'm far from taking her food critiques seriously since "cookbook author" doesn't really translate into food knowledge.
Even worse than Padma is everyone but the "third judge" on talent competition shows. By third judge, I of course mean the Simon Cowell of the group - be it Piers Morgan on America's Got Talent, Nigel Lythgoe on So You Think You Can Dance, Ben Folds on The Sing-Off... and so on. All the other judges are just decoration (tacky decoration, at that) - I'm convinced they are the reason DVR fast-forwarding exists.
The winning show for meaningless participation, however, is Big Brother, where everyone, from house guest to host to live audience member, is completely and utterly worthless. These people make Chris Harrison look like Walter Cronkite.
Monday, January 10, 2011
Episode 602
As I kick off Season 6 of this blog, I think it's only fitting to shout out to my favorite six-season show, Dawson's Creek. This was the first show I ever obsessed over, and I learned all of my life lessons from it, too - for better or, more likely, worse.
Most of the cast of Dawson's Creek has gone on to bigger and better (or just weirder) things: Michelle Williams is an Oscar-nominated actress, Joshua Jackson is the star of a hit TV show, and Katie Holmes... has a really stylish daughter? James Van Der Beek's post-Creek success, on the other hand, has been, well, lacking. But recently it has come to my attention that he is, at least, aware of this. Perhaps as an antidote, he has jumped on the Funny or Die bandwagon. In doing so, he has (redundantly) demonstrated that he is not quite as clever as Joshua Jackson, but he did show some gumption.
In another video, Van Der Beek says: "If you're under the age of 20, odds are you know me best from a five-second clip of me crying." He is referring to this viral video which has frighteningly easily eclipsed his only professional success-story. While the early work of other TV stars - like Neil Patrick Harris or any of the Judd Apatow crew - might also be forgotten by the younger TV-watching generations, the difference is that embarrassing YouTube clips don't dictate their current Hollywood status.
But don't worry, James, it could be worse: you could be David Hasselhoff.
Most of the cast of Dawson's Creek has gone on to bigger and better (or just weirder) things: Michelle Williams is an Oscar-nominated actress, Joshua Jackson is the star of a hit TV show, and Katie Holmes... has a really stylish daughter? James Van Der Beek's post-Creek success, on the other hand, has been, well, lacking. But recently it has come to my attention that he is, at least, aware of this. Perhaps as an antidote, he has jumped on the Funny or Die bandwagon. In doing so, he has (redundantly) demonstrated that he is not quite as clever as Joshua Jackson, but he did show some gumption.
In another video, Van Der Beek says: "If you're under the age of 20, odds are you know me best from a five-second clip of me crying." He is referring to this viral video which has frighteningly easily eclipsed his only professional success-story. While the early work of other TV stars - like Neil Patrick Harris or any of the Judd Apatow crew - might also be forgotten by the younger TV-watching generations, the difference is that embarrassing YouTube clips don't dictate their current Hollywood status.
But don't worry, James, it could be worse: you could be David Hasselhoff.
Friday, January 7, 2011
Episode 601
The least interesting thing on television is almost always the news. Well, maybe second to Melissa D'Arabian's cooking show. In any case, the news gets interesting when people get interesting. By now, you've probably all seen the homeless man with the golden voice story. Compelling (if bizarre), and so it went viral.
Currently on its way to going viral is the marriage of Jon and Caroline Kleiman, which took the form of a flash wedding at the Prudential Center in Boston. The footage itself was popular (not to mention tear-inducing) but TV brought it to a new level: the newlyweds embraced the sensation and have already been featured on three different news programs.
Now that's the kind of story I want to watch on TV. Leave the real news to magazine and newspapers - people who care about the news also tend to like to do boring things like read, right? So, win-win-win.
Currently on its way to going viral is the marriage of Jon and Caroline Kleiman, which took the form of a flash wedding at the Prudential Center in Boston. The footage itself was popular (not to mention tear-inducing) but TV brought it to a new level: the newlyweds embraced the sensation and have already been featured on three different news programs.
Now that's the kind of story I want to watch on TV. Leave the real news to magazine and newspapers - people who care about the news also tend to like to do boring things like read, right? So, win-win-win.
Monday, December 13, 2010
Episode 520
I was recently sent an interesting article by my east coast contingency entitled "When is it time to break up with your favorite TV show?" I have asked myself that many times in the past and now I pose the following question: is it grinchy to do it around the holidays? Or more specifically, because of the holidays? The way I see it, if Glee can't pull off a successful Christmas episode, at least in terms of its musical numbers (other than Kurt and Blaine's rendition of Baby It's Cold Outside), what can it do? Christmas should be so easy for that show, and it totally blew it.
On the other side of the coin, the Christmas episode of Community was completely in Claymation, something that should not be easy to pull off, and it was absolutely brilliant. In it, Claymated Abed is looking for the meaning of Christmas, and in one of the more perfect moments of the episode, is led to a box containing the first season of LOST. "It represents lack of payoff," Abed asserts. As much as I resent this comment (while absolutely dying from the hilarity), I can absolutely see how someone who broke up with LOST during Season 3 or 4 would have a completely valid reason for saying this. In fact, I was almost a victim of a LOST break-up. And so I second guess my desire to end it with Glee, because there are also plenty of other shows that I nearly broke up with - namely 30 Rock during Season 3 and Parks and Recreation during Season 1 - that turned themselves around in such a massive way that I feel bad even having thought about breaking it off.
(On a semi-unrelated note, there is not one other program on television that could pull off a Claymation episode without really changing the tone of the show. Similarly, I would be hard pressed to think of a sitcom other than 30 Rock that could complete a successful live episode or a show other than Modern Family that could take its whole cast to Hawaii and not have it turn into a Saved by the Bell cheese-fest fiasco.)
And then, of course, there are the shows that I still wish I'd had the gumption to break up with. Unless there's a miracle on 5th Ave., I think I've stayed with Gossip Girl three seasons too long. And while it's easier to end it with a reality TV show, I still can't resist the pull to The Bachelor, even when Jake and Vienna make me embarrassed to be a human being. But I suppose it's better to stick with a show only to be disappointed than to be the dumpee, as we all were with the likes of Arrested Development and Freaks and Geeks. Those are scars that just don't heal.
On the other side of the coin, the Christmas episode of Community was completely in Claymation, something that should not be easy to pull off, and it was absolutely brilliant. In it, Claymated Abed is looking for the meaning of Christmas, and in one of the more perfect moments of the episode, is led to a box containing the first season of LOST. "It represents lack of payoff," Abed asserts. As much as I resent this comment (while absolutely dying from the hilarity), I can absolutely see how someone who broke up with LOST during Season 3 or 4 would have a completely valid reason for saying this. In fact, I was almost a victim of a LOST break-up. And so I second guess my desire to end it with Glee, because there are also plenty of other shows that I nearly broke up with - namely 30 Rock during Season 3 and Parks and Recreation during Season 1 - that turned themselves around in such a massive way that I feel bad even having thought about breaking it off.
(On a semi-unrelated note, there is not one other program on television that could pull off a Claymation episode without really changing the tone of the show. Similarly, I would be hard pressed to think of a sitcom other than 30 Rock that could complete a successful live episode or a show other than Modern Family that could take its whole cast to Hawaii and not have it turn into a Saved by the Bell cheese-fest fiasco.)
And then, of course, there are the shows that I still wish I'd had the gumption to break up with. Unless there's a miracle on 5th Ave., I think I've stayed with Gossip Girl three seasons too long. And while it's easier to end it with a reality TV show, I still can't resist the pull to The Bachelor, even when Jake and Vienna make me embarrassed to be a human being. But I suppose it's better to stick with a show only to be disappointed than to be the dumpee, as we all were with the likes of Arrested Development and Freaks and Geeks. Those are scars that just don't heal.
Thursday, December 9, 2010
Episode 519
I'd really like to be on Ellen. I've thought about ways to get myself there: be the most generous, giving, volunteering, selfless person ever; become a 12-year-old boy, sing Lady Gaga, and have it go viral on YouTube; lose the job I don't have so I can no longer support the children I don't have; marry Harry Connick, Jr. ... the options are endless, just not very realistic (other than that last one, for which I'm still holding out hope).
And in order for this post to have any content whatsoever, I suggest you watch this hilarious You Can't Do That on Television (or can you?) moment, care of the lovely and just-inappropriate-enough Ellen.
And in order for this post to have any content whatsoever, I suggest you watch this hilarious You Can't Do That on Television (or can you?) moment, care of the lovely and just-inappropriate-enough Ellen.
Subscribe to:
Posts (Atom)